imagination is not to be divorced from the facts.
銆
銆銆 銆銆銆銆銆銆銆 銆銆 薄涓 板mdash;—a.n. whitehead
there are two sides to every story ... at least.
銆
銆銆 銆 銆銆 銆銆 銆 銆銆 銆 銆 銆 銆 銆銆銆 銆銆 銆 銆 銆 銆銆 銆 銆 銆銆銆 銆 姣 釜鏁 簨 藉彲 ヤ粠涓や釜 潰 嬶紝鑷冲 涓や釜 潰mdash;—ann landers
today is not yesterday. we ourselves change. how then can our works and thoughts, if they are always to be fittest, continue always the same?
銆
銆銆 銆銆 銆 銆 銆銆 銆 銆 銆 銆 銆 銆銆 銆 銆銆銆銆 銆銆銆 銆 銆 銆 ぉ涓 悓浜庢 澶┿鎴戜滑鑷 繁涔 瑰 傞偅涔銆銆銆 銆 銆 銆銆 銆 銆 銆銆 銆銆 銆 銆 銆銆 銆 銆 銆 銆 銆 銆銆 銆 銆銆 銆銆 銆銆銆銆銆銆 銆 紝鎴戜滑 憲浣滃 鎬濇兂 屽 鏋滄兂 歌繙涓嶈繃鏃 紝鎬 箞 藉 瑰銆銆 鍛 紵
銆——thomas carlyle
love alone can release the power of the atom so it will work for man and not against him.
銆
銆銆銆 銆銆 銆 鐖辨墠 戒銆銆銆銆銆銆 銆銆銆銆銆銆 銆 銆 銆銆銆 銆 銆銆 銆 銆 銆 鍘 閲 伙紝鑰 鍗卞 浜虹被 mdash;—w. a. peterson
knowledge is a treasure, but practice is the key to it.
銆
銆 銆 銆 ヨ 鏄 竴銆銆銆 銆銆 銆銆 銆銆 銆 銆 銆 銆 銆 瀹濆簱 瀹 返 辨 寮惎瀹濆簱澶 ч 銆銆銆銆 銆 棬 鍖 ——fuller
the golden rule is that there are no golden rules.
銆
銆銆 銆銆銆銆 銆銆 銆 銆銆銆 戠帀寰嬪氨鏄 笘涓 苟鏃 銆 戠帀寰——g.b.shaw
the lover of nature is he whose inward and outward senses are still truly adjusted to each other; who has retained the spirit of infancy even into the era of manhood.
銆
銆銆銆澶ц 銆銆銆銆 銆銆 銆 銆 浜哄 澶栨劅銆銆 銆 銆 銆 銆 銆 銆銆銆 銆銆 銆 銆 銆 銆銆銆銆銆 銆銆 銆銆銆 銆 銆 瑙夊崗璋 竴鑷达紝鍗充 涘 鎴愬勾鍚 繚 佺 ュ績 br>銆——emerson
ten men banded together in love can do what ten thousand separately would fail in.
銆
銆 銆銆 銆 銆 銆銆銆 銆 銆銆銆 銆 銆 銆 銆銆 銆 銆銆銆 銆 銆 銆 銆 銆 銆 銆 ョ 蹇冭仛 竴璧 鍗佷釜浜 兘澶 鎴愪竴涓囦釜鍒嗘銆銆 銆銆 銆銆銆 銆 銆銆 銆銆銆 暎 勪 鍋 鍒扮 浜 mdash;—thomas carlyle
